The intuitive flow of my graphic examination is characterized by the merging of visible and inner dots, lines and shapes. It is a vibrating meshwork of surfaces, depths, in-betweens and characters, a language of polarities. My drawing process I sense as a practicing procedure, as a means of transport, to enter my personal indefinable area. Here I get access to my most intimate spaces. I refer to my drawings as „seismographic notations of my soul,“ in which my inner contradictions such as science and art are united as a whole.